Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions.

Juan Uslé (Santander) has been living in New York since the early 90’s and is one of the most prominent figures of contemporary painting. The hypersensitivity described by Uslé in his work is a sort of memorable visionary state because it is painful.

One of Brazil's leading contemporary artists, Caio Reisewitz (Sao Paulo, 1967) has produced a remarkable body of work during the past 15 years, concentrating almost exclusively on Brazilian topics. His large-scale color photographs explore the changing relationship of the city and the countryside in a period of feverish economic development.

Catalogue of the exhibition On the road, curated by Gloria Moure.

Essays by Omar-Pascual Castillo, Román Gubern, Octavio Zaya. Interview with Udo Kittelmann

During the last six years, the photographer Joan Fontcuberta (Barcelona, 1955) has visited libraries and archives throughout Europe and North America and gathered together images of censured text from different epochs and authors –Desiderius Erasmus, Fernando de Rojas, Francisco de Quevedo, among others.

Based on this series of images, Joan Fontcuberta presents “Deletrix”, an artistic project (an exhibition and an artist book) on censorship with the direct involvement of PEN Catalán.

Jordi Benito (1951-2008) is known as an artist or his actions, installations and performances of an unmatched radicalism and wildness that he developed, especially in the 1970s and 1980s.

Yet in the catalogue of this exhibition, a more hidden and secret (or at least unknown) side is revealed that he developed alongside his other activities. This is his side as a designer, interior designer and creator of furniture that he made in collaboration with craftsmen from Vallès and in keeping with a family tradition, as his father was a cabinet maker.

In the first comprehensive study of Martínez Celaya’s multifaceted process, Mary Rakow and Matthew Biro illuminate previously unaddressed aspects of the artist’s practice including his tendency to destroy his own work, his materials and his approach towards them, his literary influences, and the changes that led to pivotal moments in his career. The bookfeatures new photography, archival images, and a number of previously unpublished works.

With a long teaching career at the University of Salamanca, Spanish artist Fernando Sinaga (Zaragoza, 1951) is, at once, one of the sculptors with more solid career in the field of European creation in recent decades.