Iconography looks at a major period (1990-2003) in Riera i Aragó’s long career and considers the principal motifs—planes, submarines, stelae, the Aral Sea, islands, etc.—that form the alphabet of his artistic idiom.
His work should be seen as an all-embracing account that is connected to the very different languages of astronomy, botany, mathematics and mysticism, amongst other spheres, and which offers the viewer the opportunity to enter a highly individual universe of tremendous lyricism in which reality and fiction no longer oppose each other.

Tapies i la nova cultura

This book take the reader on an itinerary through the work of Antoni Tàpies, overlooking the historical sequence of the different creations. The main guideline which the author provides takes the form of the constants which define Tàpies' creative approach, making it solid and invariable.