Eight people out of work covering the widest possible social spectrum were photographed by Francesc Torres as he lived alongside them for one to two weeks. During this period, the artist documented their daily lives: some recycle scrap, others send out résumés, others are apparently not doing anything, as if this were now a given state for their lives, others seek a change in their professional life, others are helping those even less fortunate than them. All of them are surviving, alone or with their families. In addition to the visual documentation of their day-to-day experience, each of them has had a formal portrait taken.

After this first visual presentation of their lives and economic situation, filmmaker Mercedes Álvarez filmed each of them giving their opinions on the art they liked and whether it played a part, important or not, in their lives. They were asked to provide an object from home (a painting, a figure, a reproduction, etc.) with emotional significance for them. Finally, they each visited the Museu d’Art Contemporani de Barcelona (MACBA) alone and there chose a work from the permanent collection from among those fit to be transported and explained why it interested them. This foray into the museum was filmed by the director and went on to form part of the installation with the above images and personal belongings. The pieces selected from the MACBA collection for this process have also been borrowed to complete the project presentation at the Venice Biennale. As active subjects of the final work, the eight unemployed men and women received remuneration for their participation and dedication.